With considerable, hard-won effort, Jasnah manages to dress herself. Not without still requiring some additional assistance — there are ties she cannot quite reach, strings that require tightening, a blouse that resists being tucked without aggravating protest from her abdomen. But she gets there. Presentable, for a generous definition of the word.
The Thaylen style is undeniably breezier than her ruined havah. Even fully arranged, it bares more shoulder than she would ever have chosen for herself under ordinary circumstances, draping along the body in ways Alethi tailoring studiously avoids. Ordinarily, Jasnah would not be caught dead in something so unstructured, so willing to acknowledge the shape of the person wearing it.
Today, she permits it.
Once she is dressed enough, she reaches out and taps his shoulder and nudges him to turn back around.
"You're talking about the Paintress," she states, when she can see his eyes again. She hadn't forgotten their chat on the Plains.
"—Yeah," he says as he takes Jasnah's new digs in. It's not a scandalous amount of skin to show by Lumièran standards (check Sciel bearing her stomach in that crop top), but it makes him feel a little hot for the fact that it's Jasnah's skin, something heretofore unknown to him. Unknown to a lot of people, probably.
He grabs the vest and hands it to her.
"The Gommage is proof that—" A moment of hesitation here, a little stumbling. How to explain without sharing too much? "That we're all just toys for someone more powerful than us to play with and put away at their leisure."
Jasnah takes the vest and holds it. Not donning it, yet.
"Power is not the same thing as divinity," she says, meeting his eyes without flinching. "If forces exist that can erase lives on a schedule, that doesn't make the people beneath them toys."
Something sharp glints beneath her composure. Defiance. Conviction without apology. And too much idealism.
"I don't believe the universe plays with us," Jasnah goes on. "I believe it's indifferent. Which is worse, perhaps. But also better. Indifference leaves room for responsibility. For choice." A pause. "If someone were arranging deaths for their own amusement, I wouldn't kneel and call them a god. I'd call them a tyrant. And tyrants can be opposed."
Jasnah would certainly be the type to join an Expedition. It's written all over her: in her certainty and her politics. She would choose the uncertain death over the guaranteed one every time.
It's so much more complicated than that, but— he doesn't try to explain. No one ever understood any of the times he'd attempted to tell the truth. It's easier just to live the fiction.
He makes a sound that's somewhere between a laugh and a scoff, gesturing toward the divan with a tilt of his head. She should probably sit down.
She should probably sit down. Yes. But the moment he signals so, it's like a rock-wall goes up between action and will. Like she can't do it if it's his idea — not after already ceding so much ground to him.
Ah, well. The best defense is a good offense. If she's going to end up sitting, then she wants something out of it.
"—Can you braid hair?"
Jasnah isn't ignoring the bit about an apparent academy for those expeditions he once talked about. She'll circle back.
Ah. One of those non-answers. How much simpler it would have been if he'd acted on the implication instead of maddeningly rolling the matter back into her hands. What, precisely, is she meant to do now? Ask for help? Again? She's already spent the last few minutes borrowing his steadiness like a resource she hadn't budgeted for.
She shakes her head, once. Loose, dark hair sliding forward, unrestrained and irritating. While she'd been resting, she'd thought more than once about sweeping it back, taming it into a braid. Only to balk at the effort. Even a simple braid would do. Not the usual severe construction with pins and clasps, but something functional. Anything better than this.
Carefully, she lowers herself back onto the divan, one hand fisted in the unworn vest, the other briefly using his elbow to steady herself. She doesn't recline. She perches at the edge, spine straight, intention clear.
"...Yours?" he asks, although of course that's the implication. Makes sense. Her hair's probably a bit of a mess after rolling around on it all day. Verso would know; his shaggy hair's gotten matted after a day of depression-rotting in his bedroll.
He settles cautiously beside her on the edge of the divan, pulling a leg up so that he can turn toward her. If it were Alicia, he wouldn't hesitate for a second, but his hands hover over Jasnah's hair for a moment before attempting to comb through it with his fingers.
She turns a little too quickly — ow — but indicates the satchel sitting at their feet. Her meagre bundle of belongings, the one they left the ship with and that survived their flight through the city. It felt like a lifetime ago, but she'd bartered with that first sailor for a metal-toothed comb when he'd asked for her help dictating a letter. She's fairly certain it was for his prodigious beard.
"In there. Somewhere."
— Storms, it's truly miserable not able to bend and reach and twist. She doesn't like this helpless feeling.
Verso digs through the satchel for a comb and a hair tie, eyeing the comb suspiciously—hey, didn't she complain about his hair looking a mess? Would have been nice to share, Jasnah—before getting to work gently working out the tangle of her hair. Alicia had always complained about Maman yanking at her hair, so he'd learned to have a softer touch.
"You know," he says idly, "once Monoco's mane got so matted that I had to chop the tangles out. The bald spots lasted weeks."
Hey! In her slim defense, that was before she bargained for the comb. Probably. Maybe. Who can remember.
Right now, Jasnah holds so much tension in her body — stiff, sore, straight-backed. It's unusual. Hers is often more of a natural composure. Severe, but not to the point of looking quite so contrived.
"You're not inspiring much confidence," she hedges.
She's not wrong. But— "Hey," he chides, like she's being unfair. All of the stiffness he can see in her shoulders makes him want to reach out and make her loosen up, but that would probably only make her more tense, so he resists the urge. "That was way worse than this."
Although there is a particularly stubborn tangle. He works diligently at it, careful not to pull. Owww, he can hear Alicia say, I'm going to pull your hair out next if you're not careful. So, careful he is.
"He'd been stuck under a building for a year," he says with the sort of lighthearted tone that suggests this is a funny and not uncommon occurrence. "It was unsalvageable at that point."
Even Jasnah can admit there is something a little magical about letting someone else tend to her hair. The quiet slide of strands being separated, the occasional scrape of the comb against her scalp. Even the mild tug as a knot is worked free carries a strange, unexpected sensation. It is intimate in a way she doesn't yet have language for. Odd, but not necessarily unfamiliar. And she is still deciding what to make of it when he continues his story about Monoco’s Very Unfortunate Haircut.
"How did he manage that?" She asks, genuinely curious.
She doesn't ask how could he have been there for a year, because she already knows the answer. Gestrals, like spren, do not adhere to death the way most humans do.
(A sharp breath, entirely unrelated to the detangling happening now. Don't think about Ivory.)
She tilts her head just slightly, giving him better access, her tone sharpening with interest. "Better question," she amends. "What were you doing for an entire year while your dearest friend was trapped under a building?"
The worst of the knots in her hair dealt with, he sets down the comb and gets to braiding. He'd braid Monoco's hair like this sometimes, too. He'd thought it made him look warriorly, like a viking of old. Then Monoco would insist on doing his hair, too, and then they'd sport ridiculous matching hairstyles until Verso finally had to take it out.
"I thought that he went back to the Gestral Village." It's not his fault. "And we'd... been having some disagreements, so I thought he might not want to see me."
So, Verso left him there.
"It was only a year later that I realized he wasn't avoiding me. Took ages to get him out from under all that rubble."
All the same, he says this with a sort of fond reminiscence. Good times.
Something feels — off — in his story. It's not that it sounds fake. Jasnah believes the details, given what she's learned about gestrals. It's more that it sounds incredibly sad. And here's Verso, delivering it like it's no different from an afternoon spent avoiding a sibling. Faced obliquely away from him, she briefly thoughtfully chews her bottom lip.
— How lonely Monoco must have felt. How abandoned. It's a hard lesson, learning even the people who love you can hurt you. And not even on purpose.
Her head bobs and tilts, going with the soft tug of hair being braided, and when she notices the movement she steels herself, takes a breath, and stiffens once again.
Verso's nose twitches as he realizes that maybe, just maybe, this doesn't sound as much like a funny story to someone outside of it. It hadn't been funny at the time—Monoco had been furious, and Verso had felt terrible—but it's funny now with the benefit of hindsight. Sort of a 'you have to laugh or you'll cry' situation.
"Of course he did," he says, noting her stiffness and being careful to be businesslike, not allowing his fingers to linger on the nape of his neck or be too indulgent as they work through her hair. "Monoco always forgives me."
He kind of has to.
"Besides, I've had worse. Once, I got trapped under a rockslide in the mountains for two years. Thought I'd never get out."
Honestly, Jasnah should find this fun and interesting!
There's an itch at the base of her spine. Frustrating, maddening, and familiar. The unmistakable sensation of a conversation she has already had, in too many variations. The shape of it is the same every time: the content, the cadence, the faintly put-upon expectation that the listener ought to be suitably impressed by a tale of endurance. Immortal woe, carefully burnished. It lands with a dull thud of recognition.
It's exactly like him. Jasnah rolls her eyes.
"Let me guess," she says, voice edged with ennui rather than disgust. "You resigned yourself to making a home among the pebbles until a stranger with impeccable timing happened along and pulled you free. Now you're burdened with a life-debt to be repaid at some indeterminate future date."
There. That was unkind. Not cruel, but pointed enough to sting. She feels it the moment it leaves her mouth. Her posture softens, shoulders dropping as if in quiet rebuke of herself. She doesn't like it when her temper gets the better of her. And Verso can't be held accountable for the arch ways in which Wit would put himself above the rest.
"Sometimes," she adds, more carefully now, "it doesn't matter that you've had worse. Suffering isn't a competition."
"Uh, no," he replies, hands stilling. Usually, people like those stories. Find them exciting and interesting. Expeditioners, especially, seem to love the idea of enduring something lethal and coming out the other side with only a few scratches. (No points for guessing why a person doomed to an untimely demise would like that.)
"Esquie came to find me, so that I could help him look for his lost pet rocks."
Obviously. Nothing so dramatic.
"I thought you'd like hearing about my immortality," he says, trying not to sound petulant as he ties off the braid. "That's all."
Hard to explain, isn't it? How she does like hearing about all sorts of things about him — but also how a particular delivery and circumstance can make her kind of a petty bitch about it. Wit's right. Timing truly is the talent that mankind values most. But that line of thinking just risks making her more annoyed, so!
"I do," she answers. And it's true. It's not a backpedal or a correction. Just...fact. Fact, without any justification or explanation for her behaviour. But a fact all the same. "I would."
But what?
"Simply didn't seem fair. Comparing your circumstances to Monoco's."
"Didn't realize you were such a Monoco fan," he says, resisting the urge to roll his eyes. Braid... well, braided, he scoots to the other side of the divan to offer her some space.
"You wouldn't be saying it's not a competition if you'd met him. Everything is a competition to gestrals." Also everything is a competition to Verso, but this ain't about that.
"—But you're right. It wasn't so bad." Just a lot of darkness and dying of suffocation over and over again, whatever. He'd once considered weighing himself down and trying to drown, but that definitely disabused him of that notion. "I never had any bald spots."
Perhaps the straightest route to sympathy doesn't detour through boasting. How can she tell what's serious and what isn't when he introduces so much with the same levity of the damned court jester she's trying to hard to forget?
Jasnah touches the tail of the braid, long enough to hand over her shoulder. Without a mirror, she can't be certain. But his work feels good to her fingertips, gliding over the woven strands. She sits in silence for a long, long moment. Unsure how to thank him. Unsure whether she should. Unsure whether she should feel some kind of way about being a Monoco fan when she hasn't even met the gestral.
Unsure if she should tell him it would be a pity if he'd had bald spots. That thought confirms for her that she likes his hair, signing off on a suspicion that started back on the ship. Curious.
Instead, when she does eventually talk: "You mentioned an academy for the Expeditions?"
His knowledge of this Academy, compared to his academy, is quite lacking, unfortunately for Jasnah. She'd surely love if Lune were here to lecture on it right now, but I have made the executive decision that Verso has not yet met Lune in this thread, so!!
"Guess they decided that if they were going to send out a team of sacrifices every year, they had better come prepared." Because that's what they are: sacrifices. Stone after stone tossed into the water, sinking to the bottom. "I never went. It wasn't around back then; my Expedition was a mess."
She can think imagine nothing of its like. At least in the average war campaign, there's some probability of return. Of victory. How Verso describes it now and earlier, these Expeditions are all will and idealism and hope. And while Jasnah has plenty of the first two, she's never been one for hope. One has hope when they are outnumbered. One has hope when they lack options. Hope is always irrational. How often has hope prevented someone from standing up and doing what needs to be done, because they cling to a wish for everything to be different...?
Hmm. Alright, no, she amends her perspective. Perhaps these expeditions were less about hope than perseverance. It sounds very much like these people wanted to stand up and do something.
"A mess. How?"
Edited (gently massaging the dialogue punctuation. ) 2025-12-15 18:13 (UTC)
He doesn't talk much about his Expedition, really. Expedition Zero. The only Expedition with survivors. It had surely cast suspicion on them, afterwards.
"We didn't know what we were doing. It was just a search and rescue for survivors of the Fracture back then."
He and Renoir had joined up in the hopes of finding his mother. She'd disappeared along with the rest of the Lumièrans who were displaced during the cataclysm. They hadn't known yet— "We didn't even know about the Paintress. Or the Gommage." Hadn't known the truth.
"We weren't prepared at all. We made it to the Monolith, and we ran into an enemy too strong for our forces to fight." They hadn't expected any fighting at all back then, but there Clea had been with her Nevrons, horrible creatures they'd never seen the likes of before. Worse than her monsters, though, were the sharp daggers of truth from her tongue. "Most, um," he stumbles for a moment, "most people didn't make it."
She listens. And gathers pieces of information, points of data, that help her better understand the man sitting near-but-not-too-near to her. She wonders if this curse of his was caught up in the fight at the Monolith. Not for the first time, she wonders whether this means he's some sort of Cognitive Shadow. Dead, but staked back onto a body. The Heralds were effectively immortal, after all, despite having died once.
She doesn't ask. She doesn't address it aloud at all, in fact. She realizes she lost that chance with her outburst earlier. What she does do, however, is reach just far enough to put a hand on his upper arm — a light, barely there touch. Possible only because of the erosion of so many other boundaries since they left the ship. It's not sorry and it's not how terrible and it's not poor, poor Verso. But it's something. A wordless acknowledgement of how cruel probability can be. Not everyone can make it. It's exactly the kind of foolishness she'd protested when Dalinar had wanted to rush headlong back to Urithiru in the brief time it had spent under enemy occupation.
Her grip squeezes for just a fraction of a moment, then her right hand drops back to the upholstery. A lot easier to show a measure of care when she's not picked her way through the dry, thorny boasts.
no subject
The Thaylen style is undeniably breezier than her ruined havah. Even fully arranged, it bares more shoulder than she would ever have chosen for herself under ordinary circumstances, draping along the body in ways Alethi tailoring studiously avoids. Ordinarily, Jasnah would not be caught dead in something so unstructured, so willing to acknowledge the shape of the person wearing it.
Today, she permits it.
Once she is dressed enough, she reaches out and taps his shoulder and nudges him to turn back around.
"You're talking about the Paintress," she states, when she can see his eyes again. She hadn't forgotten their chat on the Plains.
no subject
He grabs the vest and hands it to her.
"The Gommage is proof that—" A moment of hesitation here, a little stumbling. How to explain without sharing too much? "That we're all just toys for someone more powerful than us to play with and put away at their leisure."
Sounds pretty godlike to him.
no subject
"Power is not the same thing as divinity," she says, meeting his eyes without flinching. "If forces exist that can erase lives on a schedule, that doesn't make the people beneath them toys."
Something sharp glints beneath her composure. Defiance. Conviction without apology. And too much idealism.
"I don't believe the universe plays with us," Jasnah goes on. "I believe it's indifferent. Which is worse, perhaps. But also better. Indifference leaves room for responsibility. For choice." A pause. "If someone were arranging deaths for their own amusement, I wouldn't kneel and call them a god. I'd call them a tyrant. And tyrants can be opposed."
Jasnah would certainly be the type to join an Expedition. It's written all over her: in her certainty and her politics. She would choose the uncertain death over the guaranteed one every time.
no subject
He makes a sound that's somewhere between a laugh and a scoff, gesturing toward the divan with a tilt of his head. She should probably sit down.
"The Expeditioner Academy would have loved you."
no subject
Ah, well. The best defense is a good offense. If she's going to end up sitting, then she wants something out of it.
"—Can you braid hair?"
Jasnah isn't ignoring the bit about an apparent academy for those expeditions he once talked about. She'll circle back.
no subject
"Well, I have a little sister," he says. Have, not had. "And I'm a very good big brother." So, what does she think?
no subject
She shakes her head, once. Loose, dark hair sliding forward, unrestrained and irritating. While she'd been resting, she'd thought more than once about sweeping it back, taming it into a braid. Only to balk at the effort. Even a simple braid would do. Not the usual severe construction with pins and clasps, but something functional. Anything better than this.
Carefully, she lowers herself back onto the divan, one hand fisted in the unworn vest, the other briefly using his elbow to steady herself. She doesn't recline. She perches at the edge, spine straight, intention clear.
Then she looks up at him and says: "Prove it."
no subject
He settles cautiously beside her on the edge of the divan, pulling a leg up so that he can turn toward her. If it were Alicia, he wouldn't hesitate for a second, but his hands hover over Jasnah's hair for a moment before attempting to comb through it with his fingers.
—Yeesh. "Do you have a comb? Or a tie?"
no subject
She turns a little too quickly — ow — but indicates the satchel sitting at their feet. Her meagre bundle of belongings, the one they left the ship with and that survived their flight through the city. It felt like a lifetime ago, but she'd bartered with that first sailor for a metal-toothed comb when he'd asked for her help dictating a letter. She's fairly certain it was for his prodigious beard.
"In there. Somewhere."
— Storms, it's truly miserable not able to bend and reach and twist. She doesn't like this helpless feeling.
no subject
"You know," he says idly, "once Monoco's mane got so matted that I had to chop the tangles out. The bald spots lasted weeks."
...
"Not that I'm going to do that here."
no subject
Right now, Jasnah holds so much tension in her body — stiff, sore, straight-backed. It's unusual. Hers is often more of a natural composure. Severe, but not to the point of looking quite so contrived.
"You're not inspiring much confidence," she hedges.
no subject
Although there is a particularly stubborn tangle. He works diligently at it, careful not to pull. Owww, he can hear Alicia say, I'm going to pull your hair out next if you're not careful. So, careful he is.
"He'd been stuck under a building for a year," he says with the sort of lighthearted tone that suggests this is a funny and not uncommon occurrence. "It was unsalvageable at that point."
no subject
"How did he manage that?" She asks, genuinely curious.
She doesn't ask how could he have been there for a year, because she already knows the answer. Gestrals, like spren, do not adhere to death the way most humans do.
(A sharp breath, entirely unrelated to the detangling happening now. Don't think about Ivory.)
She tilts her head just slightly, giving him better access, her tone sharpening with interest. "Better question," she amends. "What were you doing for an entire year while your dearest friend was trapped under a building?"
no subject
The worst of the knots in her hair dealt with, he sets down the comb and gets to braiding. He'd braid Monoco's hair like this sometimes, too. He'd thought it made him look warriorly, like a viking of old. Then Monoco would insist on doing his hair, too, and then they'd sport ridiculous matching hairstyles until Verso finally had to take it out.
"I thought that he went back to the Gestral Village." It's not his fault. "And we'd... been having some disagreements, so I thought he might not want to see me."
So, Verso left him there.
"It was only a year later that I realized he wasn't avoiding me. Took ages to get him out from under all that rubble."
All the same, he says this with a sort of fond reminiscence. Good times.
no subject
— How lonely Monoco must have felt. How abandoned. It's a hard lesson, learning even the people who love you can hurt you. And not even on purpose.
Her head bobs and tilts, going with the soft tug of hair being braided, and when she notices the movement she steels herself, takes a breath, and stiffens once again.
"He forgave you?"
no subject
"Of course he did," he says, noting her stiffness and being careful to be businesslike, not allowing his fingers to linger on the nape of his neck or be too indulgent as they work through her hair. "Monoco always forgives me."
He kind of has to.
"Besides, I've had worse. Once, I got trapped under a rockslide in the mountains for two years. Thought I'd never get out."
Honestly, Jasnah should find this fun and interesting!
no subject
It's exactly like him. Jasnah rolls her eyes.
"Let me guess," she says, voice edged with ennui rather than disgust. "You resigned yourself to making a home among the pebbles until a stranger with impeccable timing happened along and pulled you free. Now you're burdened with a life-debt to be repaid at some indeterminate future date."
There. That was unkind. Not cruel, but pointed enough to sting. She feels it the moment it leaves her mouth. Her posture softens, shoulders dropping as if in quiet rebuke of herself. She doesn't like it when her temper gets the better of her. And Verso can't be held accountable for the arch ways in which Wit would put himself above the rest.
"Sometimes," she adds, more carefully now, "it doesn't matter that you've had worse. Suffering isn't a competition."
no subject
"Esquie came to find me, so that I could help him look for his lost pet rocks."
Obviously. Nothing so dramatic.
"I thought you'd like hearing about my immortality," he says, trying not to sound petulant as he ties off the braid. "That's all."
no subject
"I do," she answers. And it's true. It's not a backpedal or a correction. Just...fact. Fact, without any justification or explanation for her behaviour. But a fact all the same. "I would."
But what?
"Simply didn't seem fair. Comparing your circumstances to Monoco's."
Sure. That's what bothered her.
no subject
"You wouldn't be saying it's not a competition if you'd met him. Everything is a competition to gestrals." Also everything is a competition to Verso, but this ain't about that.
"—But you're right. It wasn't so bad." Just a lot of darkness and dying of suffocation over and over again, whatever. He'd once considered weighing himself down and trying to drown, but that definitely disabused him of that notion. "I never had any bald spots."
no subject
Jasnah touches the tail of the braid, long enough to hand over her shoulder. Without a mirror, she can't be certain. But his work feels good to her fingertips, gliding over the woven strands. She sits in silence for a long, long moment. Unsure how to thank him. Unsure whether she should. Unsure whether she should feel some kind of way about being a Monoco fan when she hasn't even met the gestral.
Unsure if she should tell him it would be a pity if he'd had bald spots. That thought confirms for her that she likes his hair, signing off on a suspicion that started back on the ship. Curious.
Instead, when she does eventually talk: "You mentioned an academy for the Expeditions?"
no subject
His knowledge of this Academy, compared to his academy, is quite lacking, unfortunately for Jasnah. She'd surely love if Lune were here to lecture on it right now, but I have made the executive decision that Verso has not yet met Lune in this thread, so!!
"Guess they decided that if they were going to send out a team of sacrifices every year, they had better come prepared." Because that's what they are: sacrifices. Stone after stone tossed into the water, sinking to the bottom. "I never went. It wasn't around back then; my Expedition was a mess."
In, like, five different ways.
no subject
Hmm. Alright, no, she amends her perspective. Perhaps these expeditions were less about hope than perseverance. It sounds very much like these people wanted to stand up and do something.
"A mess. How?"
no subject
He doesn't talk much about his Expedition, really. Expedition Zero. The only Expedition with survivors. It had surely cast suspicion on them, afterwards.
"We didn't know what we were doing. It was just a search and rescue for survivors of the Fracture back then."
He and Renoir had joined up in the hopes of finding his mother. She'd disappeared along with the rest of the Lumièrans who were displaced during the cataclysm. They hadn't known yet— "We didn't even know about the Paintress. Or the Gommage." Hadn't known the truth.
"We weren't prepared at all. We made it to the Monolith, and we ran into an enemy too strong for our forces to fight." They hadn't expected any fighting at all back then, but there Clea had been with her Nevrons, horrible creatures they'd never seen the likes of before. Worse than her monsters, though, were the sharp daggers of truth from her tongue. "Most, um," he stumbles for a moment, "most people didn't make it."
Just him, just Renoir.
no subject
She doesn't ask. She doesn't address it aloud at all, in fact. She realizes she lost that chance with her outburst earlier. What she does do, however, is reach just far enough to put a hand on his upper arm — a light, barely there touch. Possible only because of the erosion of so many other boundaries since they left the ship. It's not sorry and it's not how terrible and it's not poor, poor Verso. But it's something. A wordless acknowledgement of how cruel probability can be. Not everyone can make it. It's exactly the kind of foolishness she'd protested when Dalinar had wanted to rush headlong back to Urithiru in the brief time it had spent under enemy occupation.
Her grip squeezes for just a fraction of a moment, then her right hand drops back to the upholstery. A lot easier to show a measure of care when she's not picked her way through the dry, thorny boasts.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
congrats on receiving my 1,000th comment in this post
throwing a party!!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
first work tag of the new year...
ditto. 🥂
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...